The Word That Means Itself

Bluma Santini

I should say upfront that I’m a Bat Anusim — a descendant of Jewish families forcibly converted during the Inquisition, who kept what they could in secret and lost most of the rest. The searching that eventually led to this project began long before the project did. Years of piecing together a lineage that was deliberately obscured, and then, slowly, choosing to build something out of what remained.

Which is all to say: when something finally becomes real, I notice.

I’d been looking for a name for months. Maybe years, if I’m honest — the kind of low-grade searching you do while doing other things, half-expecting the right word to surface on its own.

It did. Just not the way I expected.

We were in Jerusalem — we live in London, but we’re in the middle of an aliyah that is, like most things worth doing, taking longer than planned. The trip was for paperwork: forms, appointments, the administrative scaffolding of a life being slowly relocated across two countries and several centuries.

My husband was on the phone trying to arrange for someone to collect our belongings and put them in storage. I wasn’t really listening, but I couldn’t help but notice, on the other end, that every three or four words he said, there it was: mamash.

Mamash. Warm. Punchy. No patience for soft edges. So Israeli.

In Israeli Hebrew and Yiddish, it’s mostly an intensifier: really, truly, actually. The way your grandmother said the soup was mamash too salty, and meant it, and there was no further discussion. It fits everywhere because Israelis reach for it constantly — a people with a particular relationship to the concrete, who have little use for words that hedge, qualify, or apologise for taking up space.

But the word is older than that. In rabbinic literature, it means substance — presence, the quality of a thing that has weight. The sages used it to describe the darkness of the ninth plague: not very dark, not extremely dark. A darkness that had mamash. Something you could feel and almost touch. ¹

That’s the whole word. The insistence that something actually is.

Standing in that Jerusalem hotel, listening to Moshe on the phone, I knew. After years of searching — for the lineage, for the project, for the home — here was a word that sounded like things falling into place. Alive and practical and warm, with bite.

Visibly Jewish

We named the company after it because we make posters, and a Mamash poster is, by definition, a piece of Torah and Jewish culture you can touch.

That’s the whole pitch, more or less. Not a moodboard. Not a vibe. A verse, a niggun, a line from a Chassidic discourse — something that lived in books, in melodies, in the air of a shul on a Shabbos — pinned to a wall in your hallway where you’ll walk past it eleven times before you notice you’ve memorised it. Mamash, from intangible to inkjet. (Or, more accurately, 12-colour fine art printing.)

For people like us, that’s not a small thing. Generations of Jewish life driven underground, kept in whispers and half-remembered customs and the persistent, shapeless feeling that something was missing. Visibly Jewish was never an option — until, slowly, actually, it was.

A letter on the wall. A word recovered. A name reclaimed. Mamash.

 

References

  1. On the word mamash and its rabbinic usage, including the description of the ninth plague: My Jewish Learning and Chabad.org — The Ten Plagues.